Gigs and stuff!
Sept 12th-Smalltown America All Dayer-93 Feet East
Help She Can't Swim 9/10
Well this band cannot do any wrong in my eyes so I was never going to write anything bad about them, but they were on top form. Playing a few new tracks from their new EP "Commiting Socail Suicide" and loads of fan favourites from their debut album the band pushed themselves to the limits throwing themselves around the stage and almost ruining their instuments. Not much more can be said apart from "fuck your band, suck our band". Excellent!
Seafood 7/10
Slightly disappointed the crowd by only playing new unkown material. However, when the new stuff is as good as this you can't complain.
Hell Is For Heroes 7/10
I've never really liked this band but boy can they put on a good show. They've got some hardcore fans and I don' think they disappointed anyone.
Jimi's House (what date was this?)
The Wutars 8/10
What can you say about this band eh? They never get boring do they? I think the small cosey atmosphere suited them quite well. Very crowd pleasing.
Members Of The Public 6/10
Probably not the best I've seen this lot play, but you couldn't expect too much with a new setup and all. The new songs are really sounding great now though and the old favourites still sound as good as the first time I heard them. Very enjoyable non the less.
Sept 31st Camden Barfly
The Rosemary 8/10
the first time I've ever seen or heard of this band. I would find it hard to find a person in that building that night that did not feel something special within this band. With their retro sea shanty stylings these boys could go really far.
Kill City 6/10
Pete Doherty's childs mother.....yadder yadder yadder. Kill City are a serious band, not just a gimmick. However I think Lisa Moorish plays on her D-list status a little too much, but her excellent stage presence makes up for it. The songs are not so strong but I can see them getting better.
Oct 7th-Club NME-Koko
The Filthy Dukes 8/10
This band were excellent. They've got a really "now" sound and it would not surprise me if you find yourselves reading about them on the front page of NME next year.
Louis XIV 4/10
I think that was this bands name and I'm sorry if it wasn't, but they were either off form or terrible.
The Rakes 8/10
They couldn't dissapoint really. Too much fun, too many good songs.
Oct 8th-Frog-Mean Fiddler
The Noisettes 3/10
Interesting, noisey, nonsense.
Larrikin Love 7/10
I got on stage in a stage invasion (i'm a seasoned pro at this!) and played cowbell with the bass player from Mystery Jets! Woooooohooooo. Enough said. Oh yeah, the band were good.
The early B-52's were one of the most adventerous bands of their era combining a bunch of contradicting genres creating an eccentric arty punk sound. “Planet Claire” is probably one of the greatest album openers instantly making you want to move your feet to the extra-terrestrial keyboards and the almost robotic singing of Fred Schneider. During the more swinging “52 Girls” we get the same cleanly-produced but punchy guitars, slightly false harmonies by the 2 women, weird synth-accents, and a combination of girl group cheesiness and punk energy.The album begins to flow into its own at this point managing to make the most reluctant person at at a party dance with "Dance This Mess Around" and the real gem of the album "Rock Lobster". The second half of the album, on the other hand, is a bit less impressive, still amazingably listenable and danceable at the same time however. The ecstatic shrieks and excitable guitars of "Hero Worship" and "6060-842" push the album along with with jerky musicianship and a bouncy rhythm. The last song on the album is a cover of Petula Clark's classic "Downtown" which the B-52's don't fail to dissapoint by totally ripping the song to shreds with more cheesey keyboards, out of tune backing vocals and false harmonies.

People like Ray Davies, Joe Strummer, John Lydon and to the modern day Peter Doherty and Dom Masters didn't work that hard at trying to change the music scene, fashion scene and political scene just so prats like Brandon Flowers and Ricky Wilson could prance around the top 10 in their eye liner and shitty blazers making the most innofensive boring regurgetated piece of shit music ever.
Maybe people feel they need to belong, maybe they feel the need to look like someone else to fit in, all I'm saying is that a little diversity wouldn't go amiss. Just look at The Traders, who could you really pidgeon-hole into one particular branch of fashion/music, theres so many influences within the group its hard to see where exactly those influences do come from.


